Kaisiki Dwadashi

Dear all: you are invited to join a highly motivated group of Houston based Carnatic musicians to celebrate Kaisika Dwadashi at the Meenakshi temple on October 30th, Friday, from 6:00 PM to 8:00 PM. This is a very auspicious occasion and your support will help us seek the blessings of all deities. The vision is to have 108 musicians performing together, in pursuit of spiritual upliftment.

A core group of musicians have thoroughly analyzed a rich repertoire of songs appropriate for the occasion, and have recommended the following:

1) Mathey Malayadhwaja -- Varnam in Kamas, Muthaiyya Bhagawathar composition, Adi thalam

2) Kalai Nirai Ganapathy -- Hamsadhwani, Vallalar composition, Adi thalam

3) Parathpara Parameswara -- Vachaspathi, Papanasam Sivan composition, Adi thalam

4) Sadhimchane -- Arabhi, Tyagaraja composition, Adi thalam

5) Shri Bhargavi -- Mangalakaishikai, (Dikshitar composition), Misra Chapu thalam

6) Paramapurusha -- Shanmukapriya, Annamacharya composition, Roopaka thalam

7) Kurai Onrum Illai -- Ragamalika, Rajaji composition, Adi thalam

8) Thillana -- Danasri, Swathi Thirunal compostion, Adi thalam

Assuming you will be joining us, please be reminded that there are mandatory practice sessions, currently scheduled for October 23rd, Friday, 6:00 PM and October 24th, Saturday, 9:00 AM. The audio files and notations for all these songs will be provided soon by Vidushi Rajarajeshwary Bhat.

No reply is necessary. RSVP only if you are unable to attend. Thank you all and we look forward to working with you in the upcoming weeks. Again, please be reminded that it is mandatory to attend the practice sessions in order to be able to join the group rendition. This is of utmost importance particularly to determine appropriate sruti.

Thank you.

Registration for All Composers Day

Here is the link for registration for all composer's day.

Happy composers Day.

HoustonSangeetham Team.

http://spreadsheets.google.com/viewform?formkey=dGh2cDJsSWRYdDFmUnVSUmh3bl9MOGc6MA..

Upcoming Smt. Sowmya Concert

Smt. Sowmya Concert

Presented by Bharathi Kalai Manram

(Partly sponsored by Samskriti)

VENUE:    Cullen Hall, St. Thomas University Violin : R.K.Shriramkumar Mridangam : Neyveli Narayanan.   4001 Mt. Vernon Houston, Texas 77006 DATE: Friday,May 15th 2009 @ 7:30PM

http://www.bkmhouston.org/Events/160.aspx

Letter from Prof. Trichy Sankaran

Dear Sri Vatsakumar:

Greetings.  Indeed the 2009 Thyagaraja Utsavam in Houston now seems like a dream, a most pleasant one that I ever enjoyed.  It is no small feat for a festival that has spanned over three decades.  You should all be proud of your accomplishments over the years. I take this opportunity to thank Mrs. Nalini Mukhopadhyay and Prabha Bala, the Founders, for setting the stage for the festival

It was my privilege to take upon the role as artistic director and I played only a small part, considering the hard work that you ALL had put-in in making the 32nd Annual Thyagaraja Festival a grand success.

Starting from the Unchavrithi, then the Pancharatnam group singing, individual singing, and all the thematic presentations, orchestra, the lec-dems and the featured concerts by invited artists on all three days - all these went off so beautifully.  As I mentioned in my speech, I was reminded of Thiruvaiyaru when I participated in the Unchavrithi, the 'comeback' of an age-old tradition.  I thought that this segment was rather unique in the history of North American Thyagaraja Festivals.  I enjoyed participating in the Unchavrithi and Pancharatnam, besides my own lec-dem and concerts.

I was highly impressed by the thematic presentations by the teachers -their students did extremely well.  Mrs. Anuradha Subramaniam, Chitra Dharmarajan, Asha Bakthavatsalam, and Rajarajeshwari Bhat - all of them to be commended for their excellent teaching.  I never knew that there were so many talented musicians and teachers in the Houston area, not to mention the orchestra that Sri Mahesh Iyer and yourself put together which was also quite delightful. 

The slide presentation and the lecture by Dr. Rex Koontz was another excellent addition that added colour to the festival and am sure everyone would have enjoyed the discussion that ensued his talk.  As you mentioned it was amazing to have a record number of 130 individuals to have taken part.  I am particularly happy at the fact that "Layam" has been brought to the forefront as a festival theme this year that has created an awareness for rhythm overall.

Above all, I was struck by the dedication and sincerity, care and affection with which the festival was organized.  My special thanks are due to Mrs. Prabha Bala who initiated my involvement in the festival, and YOU for working together with me in coordinating the festival events.  As I was busy at the main hall running the scheduled events, including my own presentations and concerts, I did not get a chance to listen much to the individual singing, as much as I had wished.

I am sure that the festival will continue to grow in spirit, quality, and quantity.  I wish the festival a continued success in the coming years and it will be my pleasure to contribute to the festival in my capacity as an artist, scholar, and director. 

Best,

Dr. Trichy Sankaran
Professor of Music
York University
Toronto, Canada

2009 Sri Thyagaraja Utsavam Recap

Dear Music Lovers,

 

"Sogasuga mridanga Talamu" was the theme of the 32 Annual Thyagaraja Utsavam, held April 24,25,& 26, 2009 at the Sri Meenakshi Temple in Pearland, Texas.  Of the three "Bhava, Raga and Taala" components of music, knowledge of the intricacies of "Laya'  is usually lower among general audiences. An effort to learn more about this important component of music underscored this year's choice of artistic director, Sri Trichy Sankaran, who is not only a great performing artist but also an academic at the York University at Toronto, Canada. Sri Trichy Sankaran was more than pleased to be able to present the festival with a focus on 'Laya' and chose the theme title "Sogusuga Mridanga Taalamu".  Under his direction the festival theme  was interwoven into the various segments.

 

Nisha Rajagopalan's concert on Friday April 24 was a good start for the Utsavam and was well received. It was well attended despite the inclement weather. On Saturday April 25, the festivities started with the traditional Unchavriti.  The visiting artist Sri Trichy Ramesh led the procession of the usual Houston devotees, as Saint Thyagaraja singing the Unchavriti kritis. The accompaniment of Prof. Trichy Sankaran on the Kanjira and the featured vocalist Sri Madurai Sundar gave the processional music a tremendous boost and a stamp of authenticity.  The Pancharathna rendition followed,  led by the visiting artists, Sri Madurai Sundar, Sri Trichy Ramesh and our own Smt.Rajeshwary Bhat, joined by Prof. Trichy Sankaran on the mridangam.

 

Following the welcome remarks by the Classical Arts founders and the MTS chairman, Sri Sankaran gave an excellent Utsavam overview, inaugurated the new website of the Classical Arts Society and introduced Sri Madurai Sundar who presented a well researched and outstanding lec dem on compositions by the Trinity of carnatic music.  

 

The local vocal groups coordinated by Anuradha Subramaniam and Asha Bhakthavatsalam presented songs on Sri Narada andRaja Margam as their respective themes.

The post lunch session comprised of the individual segment participation on two stages simultaneously to accommodate the overwhelming response for this segment.

The evening concerts began with Trichy Ramesh's fast paced concert followed by the doyen violinist Sri V.V. Subramanyam's  melodious concert that evoked nostalgic memories among several in the audience of yesteryear concerts by stalwarts such as Chowdaiyya with Palghat Mani Iyer and such.

Sunday April 26 morning, audience were greeted by the local instrumental group "Rasikapriya" who presented well synchronized kritis. This was followed by erudite presentations by Dr Koontz  on "Rhythm in Painting" and Prof Trichy Sankaran on"Rhythm from World Music Perspective". Each of these lec dems evoked participation by the audience through the Q & A Session which was lively.

Following this was a vigorous presentation of "Tala Vadhya Kutchery"---an ensemble of percussion instruments.

The afternoon individual segment participation was preceded by the two other local vocal groups coordinated by Chitra Dharmarajan (theme Eka Kriti Ragas) and Rajeshwary Bhat (theme: Sogasuga Mridanga Talamu).

The festival ended with the grand finale concert by Madurai Sundar which was well received. The attendees were treated to a sumptuous dinner on all three evenings catered by local restaurant.

Those who attended the festival were able to take with them some aspect of rhythm related knowledge that they had gained. The role of Artistic Director was well received and appreciated by many.

 

Your feedback about the Utsavam, any new ideas and suggestions for improvement are welcome. Please contact us at tyag2009houston@gmail.com

 

If you are interested in volunteering for next year, please send us an email indicating the area where you would like to volunteer and provide your contact information.

 

Please be in touch with our website http://classicalartssocietyhouston.org as we update it from time to time.

 

Sincerely,

Classical Arts Society

Review of Nisha Rajagopal's concert on April 24th

Review by Ram Ganesan

Nisha is not new to Houston. A few years ago she gave a full concert in the Ramar Sannidhi of MTS.

The passage of a few years has made a great impact on her performance. On Friday, the 24^th April, we heard a well rounded concert.

After the Eranapai varnam, Ninnada in Kannada was sweet and brisk.  It was a very traditional rendering.

Syama Sastri’s Biranavara in Kalyani with elaborate niraval at Syama Krishna Sodari was very good. I was expecting kalpana swarams to follow. We missed it. May be she remembered that she did elaborate kalpanaswarams during her last concert here; that time the song was Etavunnara.

What I took home with me was her fantastic rendering of the Surati ragam for over 10 minutes. I am glad the younger generation ventures into breaking the mould; surati is thought of as an end game light raga.

The violinist Mysore Srikanth also played this ragam well for about 5 minutes. The song was Sri Venkata Girisham. No Kalpana swarams here either.

Azhaga azhaga in Tamil in Suddha Dhanyasi  was crisp in Kanta chapu followed by a few strings of kalpana swarams.

Kiravani was her other major piece; raga alapana was very creative and her voice exhibited the full 2 octave range, remaining sweet all through the range.

Trivandrum Balaji on mrudangam gave excellent support through out and his thani was much appreciated.

We had torrential rains outside with thunder and lightning. We even lost power for a few minutes.

Someone aptly commented “Velila gana mazhai; ulla gaana mazhai”

Tukkadas were Nan oru vilaiyattu bommaiya, kandena Givindana. I expected more emotion from Nan oru vilaiyattu bommaya. Being a tamil song one understands the meaning of the lyrics which let you sing it with greater emotion.

She ended the concert with the crisp thillana in Purnachandrika.

Madurai Sundar Concert at Houston Tyagaraja Utsavam on April 25th, 2009 at Meenakshi Temple

Review contributed by Asha Bakthavatsalam.

Madurai R. Sundar was initiated at a very early age into Carnatic music by his aunt Smt. Ananthalakshmi Sadagopan, a musician of repute. Later came under the tutelage of music legend sangeetha Kalanadhi Madurai T. N. Sheshagopalan in 1972. 

An imaginative singer with a rich, enchanting and resonating voice. . Sundar's   involvement in  sruthi, clarity of sahithya, improvisation of ragam and kalpana swaram had the Houston audience spellbound . Despite Sundar’s  busy schedule  as an IT professional , his passion for music remains unhindered. 
 
Sundar started his concert to a packed audience in Houston with: 
 
1 Poorvikalyani (Gamakakriya )ragam alapana, Meenakshi me mudam a composition of Mudduswami Dikshitar set to Adi thalam. 
 
2. SreeRanjani ragam alapana, Bhuvini daasudane a composition of Thyagaraja set to Desadi thalam. 
 
3 .Tharama nee mahima pogada in ragam Kalyani  set to rupaka thalam , composed by K.V Srinivasa Iyengar (Tiger Varadachari's brother) 
 
4 .Thodi ragam alapana, Enduku daya raadu in Mishra chapu thalam, composed by Thyagaraja. 
 
5 RTP in thisra triputa talam starting at 1 1/2 edupu in Nattai ragam, alapana and kalpana swaram in five ragams - Natai, Gowla Aarabi,Varali and shree. 
 
6 Thirupugazh in Hamsanandi composed by Arunagirinadar

 
7. Geetharthamu in ragam Suruti set to adi thalam composed by Thyagaraja. 
 
8. Nirupamaana in ragam Behag, set to rupaka thalam, composed by Puchi Srinivasa Iyengar. 
 
9. Mangalam. 

Madurai.R.Sundar was accompanied by Jayashankar Balan on the Violin, Dr. Trichy Shankaran on the Mrdangam and Dr. Ravi Balasubramaniam on the Ghatam. The highlights of the concert was the RTP with Tanam accompanied by the Mrdangam and Ghatam. The tani-avarthanam was a high adrenalin class act.

The team left the Houston rasikas asking for more. It was a great grand finale concert.